British Film Director Gurinder Chaddha ने खोली BBC की पोल, PM Modi, Manmohan Singh पर की बात

British Film Director Gurinder Chaddha ने खोली BBC की पोल, PM Modi, Manmohan Singh पर की बात
In this episode of ‘Guest In The Newsroom’, our guest is Gurinder Chadha, a British film director of Indian origin. She is best known for her iconic 2002 film Bend It Like Beckham, and her storytelling often explores the lives, identities, and journeys of Indians living in England. Gurinder Chadha’s filmography includes several acclaimed works—many of which are adaptations of books into films. Her notable projects include Bhaji on the Beach (1993), Bride and Prejudice (2004), Angus, Thongs and Perfect Snogging (2008), It's a Wonderful Afterlife (2010), Viceroy's House (2017), Blinded by the Light (2019), and the television series Beecham House (2019). 0:00 – Interview highlights 3:20 – Saurabh introduces Gurinder Chadha 6:27 – Gurinder thanks the host and acknowledges the Hindi introduction 7:09 – She attempts to speak Hindi, noting Punjabi comes naturally 7:52 – Birthplace (Nairobi, Kenya) and multilingual childhood 9:01 – Diaspora identity and blending cultures (Indian, British, American) 10:32 – Importance of mother tongue (Punjabi) 11:30 – Diaspora’s cultural connection through music and religion 12:51 – Sikh culture, Guru Nanak Dev Ji, and ancient Indian roots 13:30 – Introduction of Christmas Karma trailer 15:53 – Use of ghosts/spirits in storytelling (Charles Dickens) 17:52 – Why she wanted to make a non-white Christmas film 18:58 – Protagonist inspired by a Ugandan refugee (1972) 19:51 – Family migration: Jhelum → East Africa → England 22:16 – Refugee trauma and the pursuit of money for security 23:49 – Core theme: happiness and compassion 25:16 – Filmmaking philosophy: Sarbat Da Bhala 25:53 – Learning Punjabi later in life from her grandmother (Beji) 27:05 – Ghosts in literature (Shakespeare) 27:30 – Ghosts as conscience; childhood trauma; Guru Dev on karma 28:54 – Family migrant trauma and identity 31:48 – Parents’ experiences with the “color bar” in England 33:50 – Carrying confidence, not trauma; defining “Cinema of the Diaspora” 35:36 – On forgiveness (Christmas Karma dialogue) 36:36 – Life lesson: live in the moment (Chardi Kala) 36:50 – BBC Gypsy Story and questioning media impartiality 38:31 – Realization that news is never neutral 39:39 – Bend It Like Beckham and societal pressure on women 42:07 – Her father as a feminist role model 43:22 – Poem by Raghuveer Sahay on women’s constraints 44:49 – Role models: Priyanka Chopra 45:50 – Collaborations with Priyanka Chopra & Anoushka Shankar (Christmas Karma) 46:49 – Keira Knightley, Parminder Nagra, and the “color bar” 47:40 – Bride and Prejudice as her Bollywood interpretation 48:40 – Global success of Bride and Prejudice & Bend It Like Beckham 49:47 – Audience Q&A: Deepika Padukone and 8-hour work shifts 52:11 – The Story of the Weeping Camel (Documentary) 53:25 – Baiju Bawra 56:18 – Why Hollywood films lack songs 56:45 – Cultural differences: emotion vs plot 57:24 – Incomplete film with Sunny & Bobby Deol 58:28 – Plot outline 59:14 – Why the project failed 1:00:58 – Defining feminism through her characters 1:01:54 – Identity in school 1:02:05 – Rejecting the idea of an identity crisis 1:03:48 – Early NYT criticism of Bend It Like Beckham 1:05:03 – Films as migrant history and academic texts 1:06:26 – Final segment: photo reflections 1:06:31 – With PM Manmohan Singh 1:08:04 – Farmers’ protest image 1:08:41 – Development Studies and farmers’ rights 1:10:29 – Baahubali 1:11:29 – Meeting the Queen of the UK 1:12:14 – The Queen as opposition during Thatcher era The copyright ownership in the video rests with India Today Group. No third party is permitted to use the video without obtaining the permission of India Today Group. Any permission for usage can be obtained through the email ID provided here: mail@lallantop.com. न्यूज़ लेटर के लिए क्लिक करें : https://ift.tt/M0sRHzD खबरों को विस्तार से पढ़ने के लिए क्लिक करें यहां : https://ift.tt/fBwZe1v Instagram: @thelallantop Facebook: @thelallantop Twitter: @TheLallantop Production: Akash Singh Video Editor: Shakir Khan
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